Kip met kuikens en uitkomende eieren by Isaac Weissenbruch

Kip met kuikens en uitkomende eieren 1836 - 1912

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drawing, ink, pen

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drawing

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pencil sketch

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ink

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pen

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genre-painting

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realism

Dimensions: height 95 mm, width 112 mm

Copyright: Rijks Museum: Open Domain

Curator: Welcome. We're looking at Isaac Weissenbruch's "Hen with Chicks and Hatching Eggs," created sometime between 1836 and 1912. It's a pen and ink drawing, a humble scene elevated through the artist's keen observation. What’s your first impression? Editor: Utter calm. I’m immediately transported back to childhood summers. It feels very unassuming at first glance, almost like a page torn from a beloved storybook, but then you notice the extraordinary stillness, the watchful presence of the hen, her world contained in a single drawing. Curator: Exactly. This piece exemplifies Realism, a movement emphasizing ordinary subjects. But how does Weissenbruch, particularly through his choice of imagery, connect with wider society, if at all? Does a chicken connect to a broader historical framework? Editor: The domesticity of it hits you. Motherhood, safety... And something primordial— that cracking shell feels momentous, doesn’t it? Every chick is potential; a hopeful outlook to what could be a dreary old barnyard, now enlivened. Curator: You touched upon a key point there—potential. During this time, images of idealized family life served to stabilize society in the midst of massive political change. Weissenbruch takes part in it, and the image of this maternal hen speaks volumes of these common desires of the period. It reinforces prevailing ideologies regarding motherhood and the family. Editor: True! It could seem incredibly cliché and banal now, but considering the work’s potential function to bring the people comfort from daily anxieties—I give Weissenbruch a pass. Beyond content, his technique is really something to be marveled at; hatching, stippling and the overall texture almost feels sculptural. He transforms simple ink on paper into a tangible world, filled with warmth and safety. Curator: A well-made image it certainly is. It invites speculation of what the drawing meant in its time period and now. Editor: Absolutely! What starts as a humble scene transforms into a small portal, a tiny crack through the universe where big philosophical thoughts can rush in. Now I am reminded to visit my mum. Thanks, Mr. Weissenbruch! Curator: And thank you, for offering your stimulating perspectives today! We encourage you, our audience, to dwell and reflect further on what insights it gives to you.

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