Her boede en gammel Kone med sin Kat og sin Høne... by Fritz Syberg

Her boede en gammel Kone med sin Kat og sin Høne... 1928

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drawing, ink, pencil

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portrait

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drawing

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ink line art

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ink

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pencil

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genre-painting

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modernism

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realism

Dimensions: 248 mm (height) x 338 mm (width) (bladmaal)

Curator: Fritz Syberg's 1928 drawing, "Her boede en gammel Kone med sin Kat og sin Høne…", translates to "Here lived an old woman with her cat and her hen…". It's rendered with pencil and ink on paper. I'm particularly interested in how Syberg approaches depicting everyday domestic life here. Editor: Immediately, the claustrophobia of this little cottage hits me, but in a strangely comforting way. Like being tucked into a childhood bed. The scratching lines forming the room practically vibrate. Do you get that? Curator: I appreciate your emotional response, but let's examine the physical structure first. Notice how Syberg uses varied line weights, heavier for structural elements like the table and windows, and finer for the woman's dress and the animals. It emphasizes their connection. Editor: Yes! The lines almost hug those shapes. There's so much storytelling in what he chooses to highlight. I see a dialogue about labor and companionship unfolding, told through the woman’s posture, and, that cat’s confident tail curl! The light from the windows... is almost tangible. Curator: Consider, also, the economic context. Such interiors reflected a self-sufficient, even isolated, existence for some rural communities at the time. This drawing could represent an alternative economy. It invites us to think about labor differently. The very materials reflect the subject's nature. Editor: The "alternative economy" you're mentioning might as well be another type of domestic sphere, with its own sort of micro-politics of affections and daily routines of comfort that is shared with animal company. The handwritten note beneath the drawing makes me wonder what personal resonance the depiction has for Syberg? Curator: Absolutely. It complicates a purely materialistic view, as that note provides crucial contextual understanding of his approach. A lovely balance. Editor: Ultimately, Syberg is making poetry from an ordinary place and daily interactions. That makes me want to cherish my own daily grind!

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