Een man met een pluimhoed op de rug gezien by Joannes Bemme

Een man met een pluimhoed op de rug gezien 1800 - 1841

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drawing, pen

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portrait

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drawing

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figuration

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romanticism

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pen

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history-painting

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academic-art

Dimensions: height 110 mm, width 70 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "A man with a plumed hat, seen from the back", made between 1800 and 1841 by Joannes Bemme. It's a pen drawing currently held at the Rijksmuseum. The figure looks like a character from a play or a historical reenactment. What catches your eye about it? Art Historian: The fascinating thing is the performative aspect. Given its probable timeframe – early 19th century – this drawing emerges within a burgeoning interest in historical reenactments and the theatrical interpretation of the past. The pose and costume clearly gesture to another time. Think of the power that images had in constructing ideas of nationhood, especially during and after periods of revolution. Who do you imagine would have commissioned or bought such an image? Editor: Possibly someone involved in theater, or maybe someone interested in collecting historical figures and costumes? Art Historian: Exactly! And consider where this drawing might have been displayed: in a collector's cabinet, a scholar’s study, or perhaps even as inspiration for theatrical costume design. Bemme and his contemporaries weren't just documenting; they were actively participating in shaping a specific historical narrative. Notice the level of detail despite it being from the back view and with minimal facial features? Does that impact how we are supposed to receive it, do you think? Editor: Definitely. It almost encourages speculation – like we are meant to imagine his face and story. It is an interesting artistic choice, almost unfinished in a way... Art Historian: Precisely. Its impact lies not in verisimilitude, but in how it contributes to the public performance and understanding of history, which ties to its cultural consumption at the time. I find myself wondering, is he pointing us to the past, or toward the future? Editor: I never would have thought about the link to historical narratives. This drawing has a lot more going on beneath the surface than I initially realized! Art Historian: Indeed, and understanding the broader historical and cultural context allows us to truly appreciate the artwork's public meaning and how the artist positioned their work within society.

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