Dr. Max Asch 1895

Curator: Here we have Edvard Munch's etching, Dr. Max Asch. Editor: What a study in muted intensity! The hatching feels nervous, the subject composed, almost burdened. Curator: Munch often used portraiture to explore the psychological states of his sitters. The cigarette may be a symbol of modern life, but also a subtle suggestion of anxiety or contemplation. Editor: It's like he's trying to exhale all his worries into that little curl of smoke. There's a weight to the gaze, a sense of deep thought barely contained. Curator: Perhaps it’s the shared experience of existential angst between artist and sitter. Munch was grappling with some serious inner demons. Editor: Whatever the story, it feels incredibly raw and personal. It reminds me of the portraits of Strindberg. Curator: Very astute, indeed. Editor: It’s a wonderful glimpse into a bygone era.