Tea caddy by Chelsea Porcelain Manufactory

ceramic, porcelain, sculpture

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rounded shape

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asian-art

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ceramic

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jewelry design

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porcelain

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figuration

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sculpture

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decorative-art

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miniature

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rococo

Dimensions: Overall: 6 3/4 × 4 1/2 in. (17.1 × 11.4 cm)

Copyright: Public Domain

Curator: Well, that's... curious. The little fella seems to be screaming at me. What am I missing? Editor: You're seeing it too, right? It’s…jarring. Almost aggressively cute, in a grotesque sort of way. Makes you wonder about the tea sipped from it. Curator: This is a porcelain "Tea Caddy," crafted by the Chelsea Porcelain Manufactory sometime between 1745 and 1750. The location indicates the importance of porcelain production in the rise of industrial England during this time period. Notice its material properties. Editor: Porcelain, yes, almost spectral in its whiteness. But consider its original use; beyond mere tea storage, this caddy served as a display of wealth and global trade reach, right? Each sip came with a dose of status. Curator: Precisely. The piece embodies rococo aesthetics through a figural shape and its function points directly to consumption, both of resources and display in upper class British homes. Look closer, note how the figure embodies East Asian stereotypes within the European imaginary. Editor: Ah, yes, now I'm catching the echoes. A playful exoticism, the kind that smooths over the actual power dynamics at play in acquiring such treasures from afar. All surface and smiles, masking something more…complicated. Like finding out your comfort food has a questionable history. Curator: Right! Its miniature size highlights its preciousness but it's crucial to recognize that even decorative pieces become intertwined with labor practices, trade routes, and colonial exploits of the time. These porcelain works were expensive consumer products that demonstrate complex global interactions. Editor: So it’s a scream alright – a silent scream about obscured realities? An uncomfortable beauty? Curator: Maybe beauty isn’t enough, we have to examine the underbelly to fully appreciate it. Editor: I see it now; something so apparently cute carrying such weight. Curator: Agreed! It is quite disturbing when one recognizes such a complicated context within a miniature decorative object!

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