Twee vrouwen en een meisje onder een bloesemende kersenboom by Torii Kiyonaga

Twee vrouwen en een meisje onder een bloesemende kersenboom 1782 - 1786

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print, woodblock-print

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print

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asian-art

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landscape

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ukiyo-e

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figuration

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woodblock-print

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genre-painting

Dimensions: height 380 mm, width 252 mm

Copyright: Rijks Museum: Open Domain

Editor: We're looking at "Two Women and a Girl under a Blossoming Cherry Tree," a woodblock print made by Torii Kiyonaga between 1782 and 1786. It's so delicate! The figures feel very grounded and natural in this space. What strikes you when you look at it? Curator: It’s a captivating image, isn't it? This work places the viewer within the *ukiyo-e* tradition, where the everyday lives of women during the Edo period were often romanticized, while sometimes reflecting actual societal norms. Consider how the figures are positioned within this idyllic landscape – how might their attire, gestures, and the very act of observing cherry blossoms speak to their social roles and identities? Editor: So, you’re saying there’s a connection between what they’re doing and their place in society? I’m intrigued! What do the cherry blossoms signify here? Curator: Precisely! The cherry blossoms are incredibly significant; not only as an indication of seasonal change, they allude to a specific period and cultural tradition. Think about the concept of "mono no aware" – a sense of empathy toward things, coupled with an understanding of their ephemeral nature. How does the presence of the cherry blossoms influence your understanding of these figures? Is there a connection with gender? Editor: Hmm, so it's more than just a pretty backdrop? It feels like the cherry blossoms represent beauty but also fleetingness, maybe reflecting the expectations placed on women at the time. I see them bending down, gathering flowers. Does it challenge or reinforce societal roles? Curator: Exactly! Think about the visual choices made by Kiyonaga - the women’s attire and their actions and reactions can be further unpacked as they relate to each other, and as we learn, we develop an informed opinion of societal constraints. It adds layers to what at first seems to be just a scene of serene beauty. How does your understanding of *ukiyo-e* influence how you look at it now? Editor: I’m now seeing the work as a reflection on gender roles within a specific historical context. The beauty is still there, but it’s interwoven with a commentary on the ephemeral nature of beauty, society and expectation. Curator: Exactly! Understanding the social, cultural, and gendered contexts around the art piece and the women portrayed, gives the viewer more information to ponder.

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