Christ before Caiphas c. 17th century

Editor: Here we have Jacques Callot's etching, *Christ before Caiaphas*. It's quite small, only a few inches, but incredibly detailed. The scene feels both theatrical and brutal. What story does this image tell, beyond the biblical narrative? Curator: It speaks to the politics of image-making in the 17th century. Callot, working during the Counter-Reformation, uses the drama to reinforce religious authority, but also to critique earthly power. Notice the flag with "SPQR," a Roman symbol appropriated for religious display. Editor: So, it's about more than just illustrating a Bible story? Curator: Exactly. It's about the Church asserting itself amidst competing political forces. The theatrics serve a purpose: to impress upon the viewer the gravity of the moment and the institution's power. Editor: I see how the architectural setting amplifies that message! Curator: And how the small scale paradoxically enhances the impact. It's a meticulously crafted piece of propaganda, designed for a wide audience.