Aankomst van Gustaaf Willem, vrijheer van Imhoff, gouverneur-generaal van Nederlands-Indië aan Kaap de Goede Hoop, penning uitgereikt aan genodigden bij een maaltijd aldaar by Martin Holtzhey

Aankomst van Gustaaf Willem, vrijheer van Imhoff, gouverneur-generaal van Nederlands-Indië aan Kaap de Goede Hoop, penning uitgereikt aan genodigden bij een maaltijd aldaar 1743

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metal, relief, sculpture

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portrait

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baroque

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metal

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relief

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sculpture

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history-painting

Dimensions: diameter 2.8 cm, weight 8.35 gr

Copyright: Rijks Museum: Open Domain

Curator: My first impression is how stately it seems, the wig and robes speak to immense privilege, but it also looks a bit mournful, no? Editor: That’s an interesting reading. What we're looking at is a 1743 silver medal by Martin Holtzhey, commemorating the arrival of Gustaaf Willem van Imhoff at the Cape of Good Hope, on his way to becoming Governor-General of the Dutch East Indies. It offers a fascinating glimpse into the visual language of power at that time. Curator: A carefully orchestrated bit of propaganda, you mean. I suppose the presence of Justitia on the reverse clinches that. What is she doing under those strangely assertive rays of light? It’s so baroque. Editor: Indeed! Justitia, as you note, is a complex emblem herself – blindfolded and balanced on the reverse alongside that very date, but it’s all quite purposeful, presenting Imhoff's governance under divine guidance and objective, virtuous leadership. The inscription along the rim reinforces this: "Soes Meliorem Sorte Tuli," or, "Fate has brought a better destiny". A meal ticket! Curator: Better destiny for whom, I wonder? These symbols and their implications are loaded when we consider Dutch colonial history. What was Holtzhey intending here, really? It reads like pure celebration. Editor: Holtzhey was commissioned to produce the medal for those present at the celebratory meal hosted in Imhoff's honor. The goal was clearly to establish and disseminate a favorable image of him and his future rule. Medals like this played an important role in shaping public opinion and reinforcing the legitimacy of colonial power. It’s about crafting and controlling narratives. Curator: And those narratives stick. A simple image embedded with authority. The weight of colonialism condensed in metal… it's a potent object. It really makes one think about how carefully crafted symbols have real-world consequences. Editor: Precisely. Even seemingly small objects like this medal can reveal a lot about the society and politics of their time. Curator: Absolutely. Well, thank you for guiding me through that! It’s incredible how much we can glean from such a little token. Editor: It's been my pleasure! Art always whispers stories.

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