coloured-pencil, print, watercolor
portrait
art-nouveau
coloured-pencil
figuration
watercolor
intimism
coloured pencil
watercolor
Dimensions: plate: 45.2 x 34 cm (17 13/16 x 13 3/8 in.) sheet: 64.1 x 49.3 cm (25 1/4 x 19 7/16 in.)
Copyright: National Gallery of Art: CC0 1.0
Curator: Looking at this evocative image, "La Parisienne (12)", dating from 1902 by Jacques Villon, I am struck by the almost melancholic quality it holds. What’s your first impression? Editor: Immediately, I’m thinking about process – specifically how the print and the use of watercolor and colored pencil interplay to create this somewhat hazy, intimate atmosphere. The softness of the materials definitely steers the tone for me. Curator: It certainly does, and when we consider this image within the context of turn-of-the-century Paris, it invites discussions about the roles of women. Note her posture, her dress, it all speaks volumes of her societal standing and position. Editor: Absolutely. And if we focus on the dress itself, we’re thinking about textiles, about fashion, about labor. Who produced the fabric, the dress, the hat? This all reflects on her privileged position in society, considering the materials used in production. Curator: And those textures play such a key role, enhancing this notion of intimacy. The Art Nouveau influences apparent here highlight the ideal of beauty and femininity. The pose almost seems to conceal rather than reveal. Editor: Concealment is key, I think. Looking at the process, that haze I mentioned earlier, seems to mute her direct engagement, making her into an object of display. Curator: Exactly. How might her race and class impact how she is viewed and positioned within that Parisian society, both by Villon and by the viewer? It provokes contemplation regarding gender roles and representation. Editor: By analyzing the materiality, we can further explore that representation. How does the chosen material reflect back on the subject's perceived worth or beauty within that era's cultural economy? Is Villon highlighting or critiquing that perceived worth? Curator: It really calls into question how we, as viewers, participate in perpetuating or challenging social narratives within our interpretations. Editor: Indeed, reflecting on the labor and consumption woven into its creation offers potent starting point for discussion and understanding, wouldn’t you agree?
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