Physichromie No. 113 c. 1963 - 1976

Curator: This is Carlos Cruz-Diez’s, Physichromie No. 113, currently residing in the Tate. Cruz-Diez, born in 1923, really made a name for himself in the realm of Op Art. Editor: It almost shimmers! The way the vertical lines interact with that central circle creates a sense of movement. I am also curious about the materials used in this piece. Curator: Cruz-Diez was fascinated by how color interacts with light and space and the social impact that can have. His Physichromies, are designed to be interactive experiences for the viewer. Editor: Interactive, definitely! It's hard to grasp at first. The ridges seem machine-made, perhaps industrially painted before assembly. Are they aluminum? The evenness suggests a high degree of technical control. Curator: Absolutely. Cruz-Diez's work challenges traditional notions of art by emphasizing the viewer's role in creating the experience. He truly democratized art. Editor: I appreciate that! Seeing how industrial processes can produce such dynamic effects makes me think about the hierarchies we often impose on art versus design. Curator: It's a reminder that art can be found in the unexpected and that its meaning is constantly evolving. Editor: Indeed, it makes you consider the means of artistic production and consumption, not just the end result.