Spearing a Buffalo by Charles M. Russell

Spearing a Buffalo 1925

0:00
0:00

painting, oil-paint, oil-on-canvas

# 

painting

# 

oil-paint

# 

landscape

# 

figuration

# 

oil painting

# 

united-states

# 

genre-painting

# 

history-painting

# 

oil-on-canvas

# 

realism

Dimensions: 17 1/2 x 29 3/8 in. (44.45 x 74.61 cm) (sight)23 1/2 x 34 3/4 x 2 in. (59.69 x 88.27 x 5.08 cm) (outer frame)

Copyright: No Copyright - United States

Curator: Before us hangs Charles M. Russell's "Spearing a Buffalo," dating from 1925. It’s an oil on canvas, currently residing here at the Minneapolis Institute of Art. Editor: Wow, the first thing that hits me is the raw energy—the immediacy of the chase! You can practically feel the ground shaking. And it makes me wince a little—such brutal business! Curator: The dynamic composition certainly evokes the urgency of the hunt. Notice the diagonal lines formed by the figures—how they contribute to this sense of propulsion. Russell was incredibly skilled at capturing the essence of motion within a static frame. Editor: Absolutely, like a frozen explosion. And those colors – mostly earth tones but punched up with the cowboy’s brilliant red shirt – it just pops! But it also feels… nostalgic? Like a scene already slipping into legend. Curator: Precisely! Russell consciously cultivated a persona as a chronicler of a vanishing West. He carefully studied the clothing, the tools, the environments... He strived for authenticity in his depictions. Note his technique; how the paint is applied in a very naturalistic manner and almost blurring at certain places creating some atmosphere. Editor: It works, makes you question that very authenticity. It’s real, but it’s also… romantized. It gives an unreal impression. Look how the herd kinda fades into the distance. Kinda dreamlike. You can almost hear those mountains breathing back there. Curator: The interplay of the specific and the generalized certainly contributes to the painting's enduring appeal. This canvas presents both an ethnographic document, and an enduring visual record about an existential question. Editor: Which maybe adds a whole other layer of brutal nostalgia, right? Because in one moment, they can feel glory...the beginning of their culture! Then, look away and just see something disappear. Powerful. Curator: I agree. This painting manages to be both spectacle and lament, historical record and poetic evocation. Editor: Makes you wonder what tales those buffalo and horse hooves could really tell.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.