Twee gezichten op de Haarlemmerpoort te Amsterdam by Carel Frederik (I) Bendorp

Twee gezichten op de Haarlemmerpoort te Amsterdam 1786 - 1792

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print, engraving

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neoclacissism

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print

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pen sketch

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landscape

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cityscape

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engraving

Dimensions: height 171 mm, width 111 mm

Copyright: Rijks Museum: Open Domain

Carel Frederik Bendorp's etching presents two views of the Haarlemmerpoort in Amsterdam. Dominating each scene is the gate itself, crowned with a cross atop its central tower, a symbol deeply rooted in Christian iconography, signifying not just a place, but a sanctified space, blessed and protected. This cross, a universal emblem of faith, echoes across time and cultures, from early Roman catacombs to medieval cathedrals, always a beacon of hope and salvation. Note how its presence here transforms a mere city gate into a spiritual threshold. The cross atop the gate is like a memory trace—a symbol which has undergone numerous transformations, yet retains its core emotional power. Consider the psychological impact. This intersection of the earthly and the divine evokes a sense of security, a subconscious reassurance of protection against the unknown. This etching then is not just a depiction of Amsterdam, but an emblem of the enduring human need for faith, subtly woven into the fabric of daily life.

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