Portret van Gerrit Reitsma 1873 - 1892

Editor: So this albumen print, *Portret van Gerrit Reitsma* by Idanus Hendrikus Slaterus, dated between 1873 and 1892, has this amazing, sepia-toned effect, and it's contained within this formal mount. The subject looks quite serious, almost stoic. What’s your interpretation of it? Curator: It’s fascinating to consider this portrait within the context of 19th-century photography. Think about it: the rise of photography democratized portraiture. Suddenly, having your likeness captured wasn't just for the wealthy elite. Editor: So, you're saying this kind of portrait served a social purpose beyond just memorializing an individual? Curator: Precisely. It became a way for the emerging middle class to participate in visual culture, to assert their presence in a rapidly changing society. These *carte de visite*, or visiting cards, as they were sometimes called, circulated widely. This isn’t just about Gerrit Reitsma; it’s about belonging. Look at the suit – is that typical? Editor: Now that you mention it, it looks quite fashionable for the time, doesn't it? This portrait then is as much about self-representation, showing your status to the outside world. I guess what strikes me is the difference with today's informal "selfies". Curator: Exactly! Today, the focus is much more on instant and often fleeting self-expression, wasn't it then. Editor: I never thought about portraiture in this light. Thinking about the cultural and historical context gives this photograph so much more depth. Curator: Yes, seeing art in this context is so enriching and transformative!