Christus aan het kruis, met Maria en H. Catharina 1590 - 1633

This is Boëtius Adamsz. Bolswert’s engraving, ‘Christ on the Cross, with Mary and St. Catherine.’ It strikes you with its stark contrast, an interplay of light and shadow achieved through fine, deliberate lines. The composition is divided vertically, mirroring the emotional states of the figures depicted. Bolswert employs a structured approach. Christ dominates the scene, affixed to the cross, his body illuminated. Mary Magdalene, kneeling, supports his feet. The figure of Saint Catherine is portrayed with an impassive stance. These elements create a visual hierarchy, directing the viewer's gaze. The artist uses light to emphasize Christ’s suffering, contrasting with the subdued grief of Mary. The engraving operates within a semiotic framework. The cross, halo, and sword serve as cultural codes, enhancing the symbolic weight of the depicted scene. This artwork reflects the broader philosophical concerns of the time. It prompts us to consider how art engages with profound themes of sacrifice, redemption, and human suffering.