Oval table 1765 - 1780

This oval table was crafted by Roger Vandercruse, called Lacroix, in the eighteenth century. Note the recurring diamond motif, a pattern adorning both the frieze beneath the tabletop and the lower tier. Within each lozenge, a stylized flower blooms, connecting the geometric with the organic. This interplay evokes a delicate balance, reminiscent of ancient mosaics where tessellated patterns frame naturalistic scenes. Consider the diamond as a symbol: in some contexts, it represents clarity and strength, while the floral inlay might symbolize growth and renewal. Such motifs are not static; they evolve, echoing across time. The diamond, for instance, appears in medieval heraldry, signifying valor, and resurfaces in modern design, suggesting sophistication. The artisan, perhaps unconsciously, taps into our collective memory, arranging these forms in ways that resonate deeply. It's this dance between conscious design and subconscious echoes that makes the table more than mere furniture—it becomes a vessel of cultural memory.