Nellie Rosebud, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Nellie Rosebud, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

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print, photography

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portrait

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print

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photography

Dimensions: Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Copyright: Public Domain

Editor: So, here we have a photographic print, “Nellie Rosebud, from the Actresses series,” made in 1890 by the Kinney Brothers Tobacco Company. It's currently housed at The Met. Something about its faded tones gives it a melancholy, almost ghostly vibe, even though the pose is so energetic. What strikes you about it? Curator: Well, first off, it’s easy to dismiss something like this as just an advertisement, a piece of ephemera. But look closer! Think about it: Sweet Caporal cigarettes sponsoring “Actresses”? It's a fascinating glimpse into how women were perceived and marketed back then, and, dare I say, sexualized to sell a product! Don’t you find it intriguing? Editor: I hadn't really considered the advertising angle so directly. I was more focused on the sepia tone and her movement! But that changes how I see it. How much was Nellie in on this image? Curator: Exactly! Was she complicit, a victim, or maybe even an active agent in shaping her image? Maybe all three. And I'll bet the photographers posed a dozen actresses for dozens of similar ads! Where are they now? Do they have descendants who are in acting? I'm telling you, those cigarette cards weren't just about selling smokes; they were about constructing an image of idealized womanhood for turn-of-the-century consumers, even now. What secrets are being hinted at, yet left unsaid? Editor: That's so fascinating. So much packed into a little cigarette card! I came in thinking this was a simple portrait and now I’m diving down a rabbit hole about gender, advertising, and image creation. Curator: Precisely! And the rabbit holes of art history can sometimes lead to enlightenment. We’re uncovering not just art, but society itself!

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