Gestoorde rust / Eene vergeten Gemeente by Willem van Konijnenburg

Gestoorde rust / Eene vergeten Gemeente Possibly 1896 - 1897

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drawing, pen

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drawing

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art-nouveau

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pen

Dimensions: height 300 mm, width 407 mm

Copyright: Rijks Museum: Open Domain

Curator: Alright, let’s talk about Willem van Konijnenburg's drawing, "Gestoorde rust / Eene vergeten Gemeente," possibly from 1896 or 1897. It’s rendered with pen, exhibiting the distinctive style of Art Nouveau. What strikes you initially? Editor: The overfed bourgeois peacefully asleep. A symbol, perhaps? Honestly, it has the potential to be interpreted as a condemnation of societal structures. There’s something satirical about it, but it also emanates a sense of tranquility and disconnect. Curator: Absolutely. The Art Nouveau elements lend themselves beautifully to this duality, creating a kind of whimsical yet sharply pointed observation. I keep wondering what his dream might be. I bet its full of flying pigs, given his circumstances! Editor: Speaking of, look at that fly, or is it a beetle perched on his head! A bit unsettling and comical, it serves as a visual disruption—much like the chickens pecking around his feet. Curator: They bring in some subtle visual energy, right? The natural world converging upon his manmade state of rest. There’s also a deliberate use of line and pattern throughout that heightens the sense of artifice and fantasy. Almost fairytale-like? Editor: Yes, absolutely. Considering the social context of the late 19th century, rife with discussions on class disparities and the rise of socialist movements, it’s fascinating to consider this artwork's silent yet profound social commentary. It's the details here that make the biggest noise, I think! Curator: True. Van Konijnenburg wasn't always so direct but, here, maybe his fairytale just turned a little dark, hinting at the unease beneath a placid surface? Editor: Exactly. It underscores art’s potential as a mirror reflecting the turbulent societal currents beneath the surface. And personally, I’m here for it. It is, in this day and age, still as effective and as thought provoking as ever. Curator: In the end, this seemingly simple drawing invites us to see beauty tinged with critique. It whispers tales of societal imbalance, rest disturbed, and perhaps even a touch of forgotten history, reminding us art truly can be, more than meets the eye!

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