Balcony, Palazzo Priuli, Venice, Italy c. 20th century

Editor: This is Kenneth John Conant's drawing of the "Balcony, Palazzo Priuli, Venice, Italy." It's incredibly precise and delicate. What strikes me is how this architectural study seems to isolate a space of privilege. How do you interpret this work? Curator: I see it as more than just a neutral architectural study. Consider Venice's history: power, trade, and a rigid social hierarchy were manifested in its architecture. A balcony like this wasn't just for enjoying a view; it was a stage for displaying social status. Editor: So, you're saying the balcony represents a specific viewpoint, both literally and metaphorically? Curator: Exactly. Who occupied that balcony? Whose gaze did it enable? Think about the power dynamics inherent in who gets to see and be seen in such a setting. Editor: I never thought about it that way, but it completely changes how I see the drawing. Curator: Architecture is never just about bricks and mortar; it's about power, identity, and the stories a society chooses to tell about itself.