Fotoreproductie van een gravure van De gelukzaligheid van het regentschap van Maria de'Medici door Jean-Marc Nattier, naar het schilderij door Peter Paul Rubens by Dechamps et Cie.

Fotoreproductie van een gravure van De gelukzaligheid van het regentschap van Maria de'Medici door Jean-Marc Nattier, naar het schilderij door Peter Paul Rubens before 1864

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Dimensions: height 197 mm, width 150 mm

Copyright: Rijks Museum: Open Domain

This is a photographic reproduction of an engraving of the painting ‘The Bliss of the Regency’ of Maria de Medici. The original painting was made by Peter Paul Reubens. This reproduction was made by Dechamps et Cie. The painting is part of a series commissioned by Marie de Medici in the 17th century, intended to glorify her life and reign as Queen Mother of France. Rubens elevated the queen's status through the use of allegory and symbolism, imbuing her with divine qualities. Here, Marie is enthroned as a figure of justice and wisdom, flanked by allegorical figures representing virtues. Rubens, though celebrated, often faced criticism for idealizing his subjects, particularly women. His depictions, while masterful, can be seen as reinforcing societal expectations of female rulers. How do these representations align with or challenge our understanding of women in positions of power today? How might we view Marie de Medici's legacy differently, considering the narratives crafted by those in power versus the realities of her reign?

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