Austrian Soldier, from World's Smokers series (N33) for Allen & Ginter Cigarettes by Allen & Ginter

Austrian Soldier, from World's Smokers series (N33) for Allen & Ginter Cigarettes 1888

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drawing, coloured-pencil, print

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portrait

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drawing

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coloured-pencil

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print

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caricature

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coloured pencil

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coffee painting

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soldier

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men

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academic-art

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portrait art

Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Copyright: Public Domain

Editor: This is "Austrian Soldier" from the "World's Smokers" series, made by Allen & Ginter Cigarettes in 1888. It’s a small print, really delicate, and the colours are surprisingly vibrant. The soldier himself has a sort of nonchalant air about him. How would you interpret this piece, particularly in its historical context? Curator: These cards are fascinating relics of a time when tobacco companies actively participated in shaping cultural perceptions. The “World’s Smokers” series exemplifies the rise of consumer culture and how imperialist powers represented other cultures to a domestic audience. How do you think the depiction of an Austrian soldier within this series might contribute to a sense of national identity among Americans? Editor: Well, by showing a soldier from another nation, especially a powerful empire at the time, maybe it suggests America's growing presence on the global stage, creating a sense of parity or even competition. Is that accurate? Curator: Precisely. It is worth thinking about how imagery like this served as both a form of entertainment and a subtle assertion of power. What do you notice about his attire? Editor: The uniform is very detailed with sharp contrasts, especially with the gold embellishments and the red star. It feels… idealized. Curator: It is important to consider who created the image, and why they presented him that way. Cigarette card series weren’t just innocent diversions; they participated in broader discussions about class, race, and international relations. These tiny images constructed worldviews. What strikes you most now that you know this? Editor: I guess, I hadn't thought about the political implications of something seemingly so trivial. It’s eye-opening to realize how even the smallest art form can reflect and reinforce the ideologies of its time. Curator: Indeed. Studying these pieces is to study the intersection of consumerism and nationalism. Thank you, Editor.

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