Achilles wordt herkend door Odysseus 1772

Pietro Antonio Martini created this print, "Achilles wordt herkend door Odysseus," presumably sometime before his death in 1797. It’s based on the ancient story of Odysseus recognizing Achilles, who was hiding amongst women to avoid the Trojan War. The print provides insight into the artistic and social values of 18th-century Europe. Classical subjects were often used to convey moral or philosophical ideas. The print's style, with its emphasis on clarity and order, reflects the Enlightenment's focus on reason and progress. The presence of classical architecture and dress suggests an interest in the past, typical of the Neoclassical movement. The print also reflects the institutional structures of the art world at that time. It was likely made for a patron or as part of a larger series of prints that were sold to collectors. The print's subject matter and style would have appealed to a wealthy, educated audience interested in classical culture and history. Understanding the context in which it was made requires archival research, a careful look at Martini's other works, and an understanding of the institutions that supported artists.