Powder Horn c. 1940

Curator: Today, we’re examining "Powder Horn," a watercolor created around 1940 by Cora Parker. It's quite unassuming at first glance. Editor: Yes, but what delicate renderings! I see the subtle variations in tone and value that bring the aged ivory to life. The artist really captured their cylindrical shapes and decorative carving! Curator: Parker seems to be reflecting on this folk-art piece's practical function. The powder horn was crucial for early firearms; each one held a measured charge of gunpowder for hunters and soldiers. Consider the labor: the horn itself is animal-derived, then carefully carved... Editor: The visual composition itself is simple but refined. Each horn features a different carved bird, which seems rather symmetrical to me. And note the lace-like carvings at the rim and their bases. There is clear attention to textural detail. Curator: Agreed. The rendering shows Parker's commitment to realistic presentation. The work is of course about representational value, as well as an invocation of the traditional craft that many see as threatened during this time period, by the surge in manufactured objects. How were these powder horns accessed, displayed, used by various historical owners? Editor: Good question! It is all about form and structure with a folk-art essence. From a design standpoint, Parker is playing with concepts of utility and craftsmanship to generate very compelling art. It is less about pure aesthetic delight. Curator: For me, this work highlights a crucial bridge in America's transition to industrialized economies, but I hear what you are suggesting about formalism and her compositional craft, too! Editor: Precisely! Parker's subtle but strong artistic choices give a fascinating story that has really challenged the notions behind this vintage object and the artistry surrounding them.