Fotomontage van twee ezels, paard en wagen en een trein before 1893

This small photographic print, dating from an unknown time and maker, juxtaposes two donkeys, a horse and cart, and a train. It's a photomontage, meaning it was made by physically cutting and combining different photographic images. The rough edges and shifts in scale give the game away - this wasn't a single shot, but a careful act of construction. Think of it as analogue photoshop! But what's interesting here is not just the visual trickery, but the commentary on labor, politics, and consumption. The juxtaposition of animal power with mechanical innovation speaks volumes about the period's transition, progress, and the changing face of work. In the assembly of these separate images we can see a symbolic nod towards a society undergoing fundamental transformation. It asks us: who benefits from this progress, and at what cost? Ultimately, this simple material act – cutting and pasting – transcends mere reproduction, offering a potent reflection on labor, power, and progress.