Schaffhausen c. 1770

Curator: William Pars' "Schaffhausen," held at the Tate, captures a Swiss scene in delicate watercolour and ink. What catches your eye first? Editor: The sheer weight of the covered bridge pressing down on the water, and the city behind. There’s an imposing air of permanence here. Curator: Bridges have always symbolized connection, passage, but this one, constructed of stone and timber, speaks to the labor and resources required. The social impact of such an undertaking must have been immense. Editor: Absolutely. And consider the iconography. The covered bridge as a symbol of protection, a safe passage, almost womb-like, contrasting with the vastness of the water beneath and the sky above. It's a journey into the unknown, but sheltered. Curator: Indeed, and the careful depiction of the building materials—the rough-hewn stone, the timber beams—reveals an attention to craft and construction, elevating the everyday to something monumental. Editor: It’s a fascinating blend, this scene. Pars uses simple imagery to evoke the power of landscape, and the human effort to dominate it. Curator: A landscape transformed by labor, made meaningful through symbolic architecture. Editor: Leaving us to reflect on our own bridges, both physical and metaphorical.