Notater 1864 - 1941

This undated page of notes was made by the Danish artist Niels Larsen Stevns in pen and ink. The writing in Danish refers to "the three women by the grave" and the resurrection of the Lord. It also references the parable of the prodigal son, suggesting the artist was working through ideas about faith, forgiveness, and redemption. Stevns was deeply religious. His work often explored biblical themes, reflecting the cultural significance of Christianity in Denmark at the time. Studying at the Royal Danish Academy of Fine Arts, he would have received formal training rooted in Christian artistic traditions. Stevns became part of the Symbolist movement, which rejected Realism in favour of spirituality and the expression of inner emotions. His work challenged the secular materialism gaining prominence in the late 19th and early 20th centuries, offering a conservative commentary on social change through its religious focus. To understand Stevns' work, we can consult the archives of the Royal Danish Academy and consider the broader theological debates of his time. Only then can we appreciate how artistic expression is embedded in its historical moment.