Mucius Scaevola Burning his Hand by Albrecht Altdorfer

Mucius Scaevola Burning his Hand 1520 - 1530

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drawing, print, paper, engraving

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drawing

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allegory

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print

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figuration

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paper

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11_renaissance

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history-painting

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northern-renaissance

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engraving

Dimensions: 64 × 39 mm (image/plate/sheet)

Copyright: Public Domain

Editor: This engraving, "Mucius Scaevola Burning his Hand," was created by Albrecht Altdorfer around the 1520s or 30s. I’m really struck by the contrast between the figure's apparent calm and the drama of the burning hand. It feels… stoic. What’s your interpretation of it? Curator: Ah, yes! Stoicism indeed dances in this image. I sense Altdorfer’s profound intrigue with both classical stories *and* the human psyche. What whispers to me is the idea of self-sacrifice, the utter mastery over physical pain to prove one's dedication to a cause. The resolute gaze… Is it courage or perhaps a touch of madness? And see how the lines around the flames almost writhe and twist, full of inner turmoil... Editor: I do! So is it just about the story of Scaevola? Curator: Well, every artwork is a doorway, isn’t it? Yes, it presents the Roman hero’s tale – facing a foreign king, Scaevola demonstrated his bravery by thrusting his hand into a fire – but Altdorfer elevates it beyond mere illustration. I believe he questions: What inner fires burn within us? What principles are we willing to defend, even at great personal cost? Also notice how, despite its small scale, it *feels* monumental, right? Editor: It really does. All that detail packed into such a small space! Now that I'm thinking about the small details and seeing his facial expression in this new light, there seems to be a defiance of sorts in his gesture, rather than purely bravery. Curator: Defiance! I love that reading. So the image transforms from an almost pious act into… well, sticking it to the man, in a way. Maybe that internal defiance is a part of self-mastery? These layers of interpretation enrich my experience all the more. Editor: Definitely gives me a lot more to think about. The conversation alone made this Renaissance print very present, rather than a scene out of the past.

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