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Editor: Here we have Joseph Andrews' portrait of Oliver Wolcott, currently housed at the Harvard Art Museums. It's a rather formal depiction. How do you interpret its presentation? Curator: Well, consider the context: portraiture like this wasn't just about likeness. It was about constructing an image of power and respectability. Who was Wolcott? What role did he play in society? These images reinforced social hierarchies. Editor: He was a Secretary of the Treasury, right? So, this image is really about projecting that status? Curator: Exactly! It's carefully crafted to convey authority. The gaze, the attire, even the engraving technique – all contribute to a desired perception. What do you think about how this portrait might have been received in its time versus now? Editor: That’s a great question! I guess now, we're more critical of such formal representations of power. Thank you, I’m learning so much. Curator: Indeed. Looking at art through a historical lens reveals how power and perception intertwine.
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