Assumption of the Virgin c. 16th century

Curator: Here we have Francesco Bruni’s “Assumption of the Virgin,” part of the Harvard Art Museums’ collection. Editor: What strikes me is this sense of dramatic ascension, like witnessing a grand theatrical performance reaching its climax. Curator: The composition is divided, with the apostles gathered below in awe as Mary rises heavenward, surrounded by angels and light. It is a classic depiction of divine intervention in human affairs. Editor: The etching captures such fine details in their faces, so full of emotion. The Virgin ascends amidst fluffy clouds that look like heavenly cotton candy. I am captivated by the contrast between the grounded figures and the ethereal vision above. Curator: Bruni masterfully employs chiaroscuro, contrasting light and shadow, to enhance the emotional impact of the scene. This print circulated widely, shaping popular understanding of the Assumption. Editor: It definitely leaves you with a lingering sense of the spiritual meeting the tangible—a nice paradox to ponder as we move on. Curator: Indeed, it illustrates how visual culture informs religious belief.