Notre Dame of Andelys c. 20th century

Editor: So this is Herman Armour Webster's print, "Notre Dame of Andelys." I’m struck by the contrast between the imposing architecture and the almost delicate lines of the etching. What do you see in this piece? Curator: This image really speaks to the power structures embedded in religious architecture. The imposing facade isn't just about faith; it's about projecting authority and permanence, often at the expense of marginalized communities. Consider the resources poured into these structures versus social welfare programs. Editor: That's a perspective I hadn't considered. It's so easy to just see the beauty, but you're right, there's a social context too. Curator: Exactly! Art isn't created in a vacuum. Webster’s choice of subject matter invites us to consider the ongoing dialogue between power, representation, and societal values. Editor: Thanks, I'll never see a cathedral the same way again. Curator: And that's the power of art, isn't it? To make us question, to make us think.