Double cup by Thomas Cory

Double cup 1685 - 1686

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silver, sculpture

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silver

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baroque

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sculpture

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decorative-art

Dimensions: Height: 5 1/4 in. (13.3 cm)

Copyright: Public Domain

Curator: Before us we have a Baroque decorative piece titled "Double Cup," crafted between 1685 and 1686 by the hand of Thomas Cory. Editor: The object presents a satisfying symmetry; the reflective surface is striking, yet somehow softened. It feels quite contained. Curator: Indeed. Notice how the silversmith’s marks near the center break that very symmetry you mention, offering a glimpse into its provenance and artisanal process. We see the object in a cultural and historical context; it invites an investigation of the silver trade and Cory's workshop practices. Editor: For me it's how the spheres contrast—the smooth round forms against that meticulously textured surface—a play of tactile sensations. Its function feels secondary to the artistry evident in shaping light and volume. The use of light truly defines it. Curator: To be sure. Silver was highly valued, so acquiring such material involved wealth, possibly tied to colonial exploitation. Considering the labour of the silversmith—his techniques, clientele—shifts this precious metal object away from mere ornamentation. What social rituals might this object served in its day? Editor: And yet, even considering that provenance, look at the refined simplicity. The cup feels incredibly modern, an abstract sculptural piece playing on ideas of balance and surface. The composition asks, "How can visual simplicity and understated opulence create lasting visual appeal?" Curator: Precisely. Through his mastery of silver, Cory contributed to the intricate tapestry of economic and social exchange, reflecting class structure during his era. The labor behind it represents larger global patterns of exchange. Editor: Ultimately, its beauty resides in its form, a self-contained universe of texture and reflection. A stunning interplay. Curator: Yes, contemplating Cory's 'Double Cup' has made visible for me a dialogue between aesthetic form and broader structural realities. Editor: It encourages us to explore the depths of its visual harmony and craftsmanship. A wonderful journey of the eyes.

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