Algemeen Handelsblad by Algemeen Handelsblad

Algemeen Handelsblad Possibly 1945

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print, paper, photography, collotype

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type repetition

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aged paper

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page thumbnail

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print

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hand drawn type

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paper

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text

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photography

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collotype

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fading type

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newspaper layout

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stylized text

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thick font

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handwritten font

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modernism

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columned text

Dimensions: height 43.1 cm, width 30 cm

Copyright: Rijks Museum: Open Domain

Curator: Let's explore this intriguing piece titled "Algemeen Handelsblad," believed to be from 1945. It appears to be a reproduced newspaper page. The collotype printing on aged paper gives it a really tactile, almost ghostly presence. Editor: My immediate impression is one of somberness. The tight columns of text, the dense layout...it feels heavy, burdened. Like carrying the weight of news, of information during a very particular, fraught moment in time. Curator: Absolutely. Newspapers act as a primary source here. There's a deliberate aesthetic choice. Look at how the “hand-drawn” style typefaces almost scream from the page, as well as repetition in the column structure to make this feel important and serious. Editor: Right, I see that even the fading type becomes symbolic, signifying the ephemeral nature of news, the way stories get layered over, time passes on, while its content reveals patterns in how specific eras felt and thought. And how people expressed the times visually. Also notice “optimisme” scrawled near the header… how optimistic were things, really, in March of 1945? Curator: That's a wonderful question and poignant juxtaposition. The very name "Algemeen Handelsblad"— General Trade Journal—hints at a focus on commerce, on daily life. Editor: Yet presented in such a raw, unfiltered manner. The stylised yet somewhat rudimentary handwritten fonts are such a marked feature. To me it looks like that need to document truth took primacy over finesse, so meaning outweighs conventional notions of beauty here, in the immediacy of the report. Curator: Indeed. The limitations probably directed what materials could be used and how text appeared. But this gives insight into historical context. Editor: It truly does make us wonder what kind of cultural artefacts are being produced today that have value past tomorrow’s headlines. Thanks to “Algemeen Handelsblad,” though, we understand how history continues speaking loudly about times gone by, with a unique and intimate visual language. Curator: Absolutely! Considering its design makes me re-examine contemporary information sources with new eyes and think of them as more than just disposable content.

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