Mater Amabilis 18th-19th century

Editor: This is Giovanni Folo’s "Mater Amabilis," a print from the late 18th or early 19th century, housed at the Harvard Art Museums. It evokes such a feeling of serenity. What social context might have shaped this image of the Virgin Mary? Curator: Consider the role of women during Folo's time. This idealized image reinforces the concept of women as gentle and pious. How does this portrayal serve the patriarchal structures of the time? Editor: So, it's less about pure devotion and more about social expectations? Curator: Precisely. Her downcast eyes and submissive posture symbolize prescribed feminine virtues, effectively silencing female agency. What do you make of that? Editor: It shifts my perspective entirely. I see the print now as a commentary on the limited roles afforded to women. Curator: Yes, art can be both beautiful and a reflection of the social power dynamics.