drawing, lithograph, print, pen
portrait
drawing
lithograph
caricature
caricature
social-realism
romanticism
pen
realism
Copyright: National Gallery of Art: CC0 1.0
This lithograph by Honoré Daumier captures J.-B. Gustave de Laboulie with a pronounced sense of self-importance. His arms are crossed, a gesture as old as time, signifying defensiveness or authority. Consider the echoes of this pose throughout art history, from ancient Roman emperors to Renaissance portraits. The gesture speaks of control, yet here, Daumier cleverly amplifies the subject's physical features to undermine that very authority. The large head and small body create a visual tension, a sort of psychological imbalance. The crossed arms might remind us of a protective stance, yet Laboulie's exaggerated features invite ridicule. This is a recurring theme in visual culture: the powerful brought low through caricature. It is a potent reminder of the cyclical nature of power and its subversion through art. The image engages our collective memory of authority figures, prompting a subconscious assessment of power, status and self-importance.
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