Untitled 

Here we see an untitled diptych by Tiberiy Szilvashi. The two panels, with their tactile surfaces and earthy tones, immediately evoke a sense of warmth and depth. The artist’s emphasis on materiality and surface texture invites us to consider the painting as an object, not merely a representation. Szilvashi employs a minimalist approach, reducing the composition to basic forms and colors. The vertical band that joins the two panels is a key element. It acts not only as a structural support but also as a visual caesura. The textured fields on either side hint at a dialogue between presence and absence, form and void. This interplay might remind us of structuralist ideas. The artist creates a system of signs in which the shapes, colors, and textures communicate meaning. It invites us to deconstruct our habitual ways of seeing. The subtle variations in color and texture emphasize the painting's physical presence. This challenges conventional notions of art as illusionistic representation. In this way, Szilvashi prompts us to question the relationship between the artwork, the artist, and the viewer.