Maisons À Kervilahouen, Belle Ile 1896

Henri Matisse painted Maisons À Kervilahouen on Belle-Île, using oil paint on canvas. Matisse embraced the materiality of paint, applying it in broad, visible strokes. The texture isn't just about representation; it's an active part of the work. You can practically feel the thickness and movement of the pigment. This direct approach to painting aligns him with broader trends in craft and design, prioritizing the hand of the maker and the inherent qualities of materials. It connects the image to the physical labor involved in its creation, moving away from traditional academic painting which often concealed its making. By focusing on the sensory qualities of paint and brushwork, Matisse blurs the lines between fine art and craft, emphasizing the value of direct, physical engagement with materials. This democratizes the art experience, highlighting not just the subject, but also the making of the art itself.