Red and Black 1964

Natalia Dumitresco’s painting presents a vibrant dance of red and black, punctuated by geometric forms. Notice how circles, squares, and linear grids dominate the canvas. The circle, one of the most ancient symbols, often represents unity, wholeness, and the infinite. The square, by contrast, can symbolize the earth, stability, and order. Consider the juxtaposition of these shapes, how they recall mandalas or even city plans viewed from above. The grid-like structures evoke a sense of control and organization, yet the circles disrupt this, injecting a sense of fluidity and the cosmos. We see similar patterns in ancient Roman mosaics, where geometric shapes were not merely decorative but imbued with symbolic meaning. These arrangements resonate with the psychological concept of archetypes. The mind recognizes them, stirring primal associations with order, chaos, and the cyclical nature of existence. This resonates with the unconscious mind, where emotions and memories are stored. This canvas becomes a mirror reflecting our deepest contemplations on the cosmos and our place within it. The cycle continues.