Fotoalbum met twintig foto's van de Keizerlijke Militair-Medische Academie in Sint-Petersburg en daaraan verbonden personen 1913
print, photography, albumen-print
portrait
photography
coloured pencil
russian-avant-garde
academic-art
albumen-print
Dimensions: height 291 mm, width 380 mm, thickness 50 mm
Copyright: Rijks Museum: Open Domain
Curator: This is an intriguing find—an albumen print photograph album entitled "Fotoalbum met twintig foto's van de Keizerlijke Militair-Medische Academie in Sint-Petersburg en daaraan verbonden personen", dating back to 1913 and attributed to V. Sabel'skij. Editor: My initial reaction is one of formal appreciation. The golden lettering against the crocodile-like cover material creates an exquisite contrast. There's a rigid structure in the album’s form—so very proper and precise, fitting for a portrait collection, don't you think? Curator: Indeed. Considering the period and location—Imperial Russia just before World War I—it likely signifies the institution's and its associated individuals' status and place in society. Albumen prints were quite laborious to produce, suggesting careful craftsmanship—and that in itself tells a story. Editor: Absolutely, and I am interested in this idea of labor. Let's dive deeper into this texture. What looks like crocodile skin is an important clue to consider when contextualizing it. The artificial nature of the animal covering coupled with the real gold letters is a statement. Curator: Precisely. Think of the industrial processes necessary to emulate organic material, the resources expended—this signifies access and probably, at that time, advancement, or the pretense of it at least. Also, the commissioning of such an album shows patronage, resources funneled into this piece for what ends? Institutional documentation? Personal pride? It shows a desire for preserving image. Editor: These gilded words offer symbolic weight. Consider also the compositional arrangement, text set precisely at the top and bottom of the album cover in clear order, that echoes the album’s purpose as a carefully assembled archive. There is an intended semiotic dialogue going on here between material, format, and intended context. Curator: I concur. The materiality speaks to production methods and to how photographic albums gained importance in society. Editor: I agree entirely! Curator: The photograph album has unveiled connections between societal structures and materials!
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