Lying cow en face 

Curator: This expressive drawing is entitled “Lying Cow en face” by Friedrich Wilhelm Hirt. It’s currently housed at the Städel Museum. We see a realistic depiction using what appear to be charcoal and ink. Editor: My immediate feeling is one of gentle resignation. There’s a heaviness, almost a vulnerability, in the cow's posture. Curator: Considering Hirt's wider body of work, these realistic depictions of farm animals often tie into broader social concerns relating to agriculture and land use. The drawing resonates with contemporary dialogues around animal rights, reflecting shifting attitudes towards how we perceive livestock. The cow’s direct gaze might subtly question the power dynamics between humans and animals, prompting discussions around welfare, sustainability, and intersectional relationships. Editor: Absolutely. And the frontal view gives the animal a striking presence. The almost symbolic stillness of the cow suggests a connection to deeper agricultural cycles – perhaps referencing the historical importance of cattle. It's fascinating how Hirt utilizes line and shadow to give depth, imbuing this image with cultural significance. The animal seems to act as an emblem reflecting something profound and unspoken. Curator: I wonder, too, how its seemingly simple, unadorned portrayal comments on social class. Agricultural labor has historically been tied to marginalized communities. Does this represent a subtle acknowledgement of labor exploitation within agricultural systems? Editor: I agree. These understated visual statements often carry so much weight. Through sparse imagery, he triggers thought beyond its material state. The act of drawing itself mirrors the cycles within pastoral life, making the piece emotionally impactful. Curator: Thank you for shining light on how symbolic renderings give space for more profound interpretation. Editor: A valuable piece. Thanks to you as well for framing it with relevant social factors.