Turkish no. 2. Painted ornaments from the Mosque of Soliman in Constantinople 

Owen Jones created ‘Turkish no. 2. Painted ornaments from the Mosque of Soliman in Constantinople’, a print that visually arrests with its intricate detail and balanced composition. Dominating the work is a large circular motif, filled with complex geometric patterns and calligraphy in black and white, highlighted with touches of red, against a cream background. This creates a stunning interplay of light and shadow. Jones, known for his studies of historical ornament, seems to use these forms to explore how visual elements can create harmony. The geometric precision and rhythmic repetition speak to both mathematical and aesthetic principles. The circular pattern can be decoded as a structuralist approach, where the form and spatial organisation of the visual elements convey meaning. Note how the details encourage continuous looking and interpretation. The cultural codes embedded in the calligraphy and patterns open avenues for considering the connections between art, culture, and representation. It reminds us that art is a complex site where meaning is continuously negotiated and re-evaluated.