Plate Eight, from Book of Ornament 1704

This is "Plate Eight" from Simon Gribelin II's "Book of Ornament," a print showcasing various decorative designs. Observe the cherubs, or putti, set amidst intricate vegetal motifs. These cherubs, descendants of classical Cupid, are a recurring symbol in art, representing love and innocence. Notice how the putto motif reappears across centuries and cultures, from ancient Roman art to Renaissance paintings. The image of the winged child persists, each time imbued with the cultural values of its era. This transmogrification points to a collective memory, a deep-seated fascination with youth, beauty, and divinity. Think of the "Eros" and "Anteros" statues from ancient Greece, in which an innocent child is also charged with powerful, somewhat violent emotion. These symbols create a powerful and timeless connection, engaging our subconscious on a deep, emotional level. The cherub’s transformation demonstrates the non-linear, cyclical progression of symbols, resurfacing and evolving in different historical contexts, reminding us of the enduring power of cultural memory.