Oni pelted by beans 

Editor: Looking at this print, "Oni Pelted by Beans" by Katsushika Hokusai, I am immediately struck by the dynamism despite the simple materials used. It’s fascinating, kind of humorous and maybe a bit grotesque. How do you interpret this work in the context of its time and culture? Curator: Well, viewing it historically, this Ukiyo-e print presents an interesting depiction of cultural rituals and beliefs. The bean-throwing is likely a reference to Setsubun, a festival where beans are thrown to drive away evil spirits or 'oni' and welcome good fortune. Knowing this adds layers to the image, doesn’t it? Editor: Absolutely! So the Oni represents misfortune? But why depict this almost violent ritual? Was it commentary? Curator: Ukiyo-e prints were widely popular with the common people and served as a medium for storytelling and entertainment. This image likely resonated with the public due to their familiarity with Setsubun. The violence isn't necessarily a commentary but rather a visual representation of banishing the old and welcoming the new, which, culturally, would have carried themes of optimism and renewal during the annual cycle. What do you make of the artist's choice of making this scene the subject of his artwork? Editor: Now that you frame it like that, it seems that, by capturing such an everyday practice, Hokusai democratizes art-making, and elevates common cultural understanding to a topic worthy of representation, I am gaining a new sense of what “public art” meant then. Thank you! Curator: And seeing it through your fresh perspective, the artwork really speaks to how even popular imagery played a crucial role in solidifying and reflecting shared social values. A great observation.