Portrait of Pennell by Frank Walter Taylor

Portrait of Pennell c. 20th century

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drawing, pencil

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portrait

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drawing

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figuration

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pencil

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academic-art

Dimensions: 14 x 8 11/16in. (35.6 x 22.1cm)

Copyright: No Copyright - United States

Curator: Sobering isn’t it? I always find something quietly melancholic about it. Editor: Perhaps, but it feels sincere and uncomplicated, almost refreshing in its simplicity. For our listeners, we are looking at "Portrait of Pennell" created around the turn of the 20th century. It's a pencil drawing by Frank Walter Taylor, housed right here at the Minneapolis Institute of Art. Curator: Taylor’s inscription beneath the portrait reveals the personal nature of this work: it’s “Original Drawing of my Mother’s best Friend”. It’s as much about capturing Pennell’s likeness as it is about solidifying memory and perhaps, adoration. Editor: Yes, there’s a tangible softness to the pencil strokes. Taylor doesn't idealize; he shows us Pennell with what feels like genuine affection, slightly stooped, a touch world-weary. Curator: Absolutely. That slightly downturned gaze has powerful implications. Consider the semiotics of portraiture: the subject's eyes traditionally engage directly, asserting authority. Here, the averted gaze evokes something softer— humility, introspection, perhaps a quiet pensiveness weighted with symbolism that evokes human vulnerability. Editor: I see that vulnerability in how Taylor captures the light. The forehead gleams and leads you towards those shadowy eyes, but at the same time, that soft treatment prevents the shadows from overpowering the drawing. Pennell seems approachable rather than severe. It keeps things from feeling too heavy. Curator: An intriguing point, and definitely visible through the medium of pencil and paper, and Taylor is certainly playing into traditions that predate photography and our modern image obsessions. Here the focus is on character study – the portrait is a vehicle to preserve an impression of personality. Editor: It’s really made me think about the importance of keeping the stories of the past in our lives. So, not only capturing physical likeness, but perhaps some emotional essence in the work, as well. Curator: Precisely. It's a powerful intersection of representation, memory, and relationship dynamics, all brought to life through simple pencil strokes.

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