Portret van prins Hendrik en zijn tweede vrouw Maria van Pruisen 1978

This photograph by Theodor Prumm, made in Berlin, presents a double portrait of Prince Hendrik and his second wife, Maria of Prussia. The image offers a glimpse into the social norms and cultural values of 19th-century European aristocracy. Executed in the 'carte de visite' style, a popular format for portraiture at the time, this image would have circulated amongst family and acquaintances. Its visual codes—formal attire, subdued poses, and idealized features—convey status and respectability. Produced in Germany, the photograph reflects the rigid social hierarchies of the Prussian court, where family lineage and political alliances were paramount. As photography was becoming more accessible, portraits like these played a crucial role in shaping public perceptions and reinforcing the established social order. To fully understand this image, one would consult historical archives, genealogical records, and studies of 19th-century photography. By situating this artwork within its social and institutional context, we can better grasp its meaning and significance.