Stand 1755 - 1765

This nine inch stand at the Metropolitan Museum of Art was made by an anonymous Whieldon type craftsman. These types of ceramics rose to popularity in the 18th century. At the time, the burgeoning middle class sought to emulate the lifestyles of the aristocracy, so decorative items that were once exclusive to the elite became increasingly accessible. Pieces like this stand reflect the era’s societal aspirations and evolving class dynamics. The Whieldon style often embraced naturalistic motifs, but it does so in an unconventional way. The stand is not trying to mimic or emulate a classical sculpture, it is playing with an inventive combination of color and form, and in doing so, allows viewers to explore their sensory experiences and emotional responses. This type of craftsmanship illustrates the complex relationship between artistic expression, social mobility, and the human desire for beauty in everyday life.