Marie Anne Gertrude Pingel as a Child 1790 - 1793

Editor: This delicate ivory miniature, "Marie Anne Gertrude Pingel as a Child" by Cornelius HØyer, created between 1790 and 1793, feels incredibly intimate. It makes me wonder about the circumstances of its production. What stands out to you about this work? Curator: Immediately, the use of ivory as a support demands our attention. It signifies a particular kind of consumption and access, given that ivory was already a luxury material. We have to ask about its acquisition, the colonial trade networks it represents. What kind of labour was involved in acquiring the tusk? Who prepared the surface? Then, consider the black and white coloring, or perhaps, lack of vibrant colors: How does that impact the consumption of this family member within her circle? Editor: So, you’re saying the value lies not just in the image, but in the story of how it was materially produced and consumed? Curator: Exactly! And consider the miniature format itself. It’s designed for portability, for intimate viewing. These miniatures often functioned within specific gift economies. This begs questions about the gift-giving practices of the time. Was it meant to be displayed openly, or kept close, a private memorial? How much did such item cost for the Pingel family? Editor: It's amazing to think about all the social and economic factors tied into such a small object. It is difficult to keep these topics in mind, focusing on an object's historical trajectory and social relevance rather than just its aesthetics. Curator: Absolutely! Considering how material realities and processes of production fundamentally shape not only its creation, but also it’s subsequent cultural impact on later audiences.