Jules Jean Jusserand Commemorative Medal for the American Historical Association [obverse] 1925

Curator: Let's turn our attention to this commemorative medal for Jules Jean Jusserand of the American Historical Association, crafted by Herbert Adams in 1925. Editor: My first impression is the weight of history it seems to carry. The bronze is like dried sediment from ages past; its presence makes you contemplate time and permanence. Curator: Precisely! Adams has successfully translated the gravitas of historical scholarship into a tangible form. The raised lettering of Jusserand's name encircles his profile, acting almost as a halo of intellectual achievement. Consider the elegant formalism and balanced arrangement here; see the careful modulation between light and shadow on his face. Editor: I find it interesting how a portrait in metal, often associated with celebrating military figures or heads of state, is used here to commemorate an historian. What does this say about the values placed on intellectual contributions within society at that moment? And about Jusserand's contributions specifically, he was the French ambassador to the United States during World War One, a very important period in diplomacy and of the association between France and the USA. Curator: Certainly, the choice of bronze adds a level of dignity to Jusserand; but it's the profile view that really speaks to Adams' sophisticated use of form. The resolute jawline, the thoughtful set of his brow, they all contribute to an image of quiet determination and profound intellect. Adams uses this to make commentary, with no brush stroke out of place! Editor: Right, but who exactly was meant to receive this medal? Was it awarded, gifted, or sold? Was its circulation limited? These are essential elements when interpreting it within its cultural and political framework of early 20th-century American intellectual life. It underscores how these pieces, which we perceive aesthetically, have functional ties to socio-political settings of historical memory and appreciation. Curator: Excellent point. As we conclude, the medal presents us not only with Jusserand's likeness, immortalized through skillful craftsmanship, but opens avenues for delving into historical significance. Editor: Ultimately it reminds us that historical study can be profoundly embodied. The artwork's presence stands to testify cultural meaning.