Free Floating Clouds by Sam Francis

Free Floating Clouds 1980

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Copyright: 2012 Sam Francis Foundation, California / Artists Rights Society (ARS), NY

Curator: Sam Francis' "Free Floating Clouds" created in 1980, offers us a window into his abstract expressionist explorations using acrylic paint. At first glance, what captures your attention about it? Editor: Well, initially, the strong contrast really jumps out. It has an almost overwhelming presence. The dark shapes set against that stark white background create a kind of visual tension. Curator: That tension you perceive reflects the artist's engagement with space. Consider the broader historical context; Francis began painting in the post-war period. These large abstract canvases were a shift from earlier established conventions of what paintings were, embracing freedom, and perhaps unconsciously reflecting that socio-political time. Editor: I see that, and those deep blues and greens peeking through the heavier dark areas… there's something almost unsettling about how they're contained, struggling to emerge from that oppressive darkness. I think that relates to socio-political issues as a form of suppressed anger in society. Do you read a connection there? Curator: I would not describe this as oppressive at all. Abstraction like this aimed to reach the pure inner self, removing oppressive social structures, the complete opposite of suppression! It aimed for the liberation of consciousness. Looking at this piece, I am reminded of a re-establishment of the self from society. Editor: Perhaps! I can appreciate that interpretation too. It strikes me as the individual versus a vast world with some kind of tension that must be expressed. It would be an important time to engage with that idea as Sam Francis does here. It's powerful. Curator: The large scale itself contributes to that powerful impression, completely engulfing our field of vision, don't you agree? Editor: I couldn’t agree more. Thinking about the politics and that sheer immersive quality really gives me a fresh angle on appreciating this work today. Curator: It is truly fascinating how interpretations evolve over time and how those socio-political questions always remain so relevant.

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