"Les Grandes Frises" (4 of 12) 1610 - 1626

Pierre Brebiette created this engraving, "Les Grandes Frises," sometime in the early 17th century. Here, Brebiette has used the visual language of classical antiquity to both reflect and shape the cultural values of his time. Made in France, this print embodies the early Baroque style, embracing drama and dynamism. The print invites us to consider the cultural and political functions of art during this period. The figures are derived from classical mythology, such as the goddess Diana, but are reinterpreted through a contemporary lens. How does the artist use this classical imagery to comment on the social structures of his time? Historians examine the symbolism used and patronage systems that supported artists like Brebiette. Analyzing the social and intellectual contexts in which art is created helps us to understand its meaning and significance. Through careful study, we can better appreciate the complex interplay between art, power, and society.