Untitled (Genesis) 1965

Editor: Mira Schendel’s “Untitled (Genesis)” comprises nine monotypes on delicate paper. They’re filled with cryptic symbols and text, almost like pages from a forgotten alchemical manuscript. What do you make of these evocative markings? Curator: The power of Schendel's work lies in its visual language. Notice how circles and lines repeat. Consider the circle, a potent symbol across cultures representing wholeness and cyclical time. Is Schendel suggesting a personal cosmology or a broader cultural memory? Editor: It’s fascinating how such simple forms can hold so much potential meaning. I hadn’t considered the cultural implications. Curator: Indeed. These aren't merely abstract forms, but echoes of shared human experiences. Understanding this unlocks a deeper appreciation for the work. Editor: I definitely see that now. Thanks, that was really insightful.