Ely Cathedral: Octagon from North Aisle c. 1891

Frederick H. Evans captured "Ely Cathedral: Octagon from North Aisle" with a platinum print, an intimate 8.2 by 8.2 cm study of architectural space. The photograph presents a symphony of forms, dominated by the rhythmic repetition of arches which recede into the depth of the cathedral. Evans masterfully employs light and shadow to articulate the stonework's texture, giving a tactile quality to the image. The composition draws the eye along the north aisle, leading to the complex latticework of the Octagon, a focal point of architectural ambition. Evans' approach can be understood through the lens of formalism, focusing on the intrinsic elements of line, shape, and tone to convey meaning. The play of light across the surfaces isn't merely decorative; it structures our perception, creating a sense of scale and transcendence. Through this photograph, Evans captures not just the physical space of Ely Cathedral, but also the spiritual and intellectual aspirations embedded in its design. It invites us to decode the visual signs that make up our understanding of architectural grandeur.